An “aha!” moment about purity

Could it be that it’s even less about me, and less about my efforts to become pure than I ever imagined?

In the past, I spent so much time hung up about doing, that in my worst moments of extreme distress and failure, I admitted to a few confidantes, “I don’t know how to do Christianity!” Years ago, I announced to my parents, “I’m just not cut out for Christianity.” It took decades for me to grasp my father’s reply, “But that’s the whole point.”

One of my favorite passages is this:

“Beloved, now we are children of God, and it has not appeared as yet what we will be. We know that when He appears, we will be like Him, because we will see Him just as He is. And everyone who has this hope fixed on Him purifies himself, just as He is pure.”‭‭ [1 John‬ ‭3:2-3‬ ‭NASB‬‬]

Silly me — I always interpreted that last verse as saying, “So if you have this hope, you need to purify yourself.” I rejoiced that, on that glorious day, seeing Jesus just as He is would purify me and transform me into His likeness. What a wonderful hope! But I missed the true connection with the next verse. Just as seeing Jesus will transform me, so will fixing my hope in Him. Bottom line: the more I focus on Jesus, the more like Him I become. That’s what that passage really means.

Turn your eyes upon Jesus,
Look full in His wonderful face,
And the things of earth will grow strangely dim,
In the light of His glory and grace.


The comfort of victim-blaming

When people find a need to blame, even if only slightly and indirectly, the victims of sexual trauma, it can be for a variety of reasons. One motive in particular stood out to me recently: we engage in victim-blaming because doing so provides us with comfort.

There are two different areas in which we comfort ourselves by insisting on finding some fault with the victim’s behavior or attitude:

1. Finding fault with the victim gives us an excuse for withholding our compassion. Weeping with those who weep is uncomfortable. So is bearing one another’s burdens. Compassion does not sit well with us and, if we are Americans, we are impatient with grief, whether our own or others’. So, even if we cannot blame the victim for what we perceive to be problematic conduct before or during her sexual assault, we can surely withdraw our sympathies if she doesn’t handle her victimhood according to our standards, or if she doesn’t “snap out of it” quickly enough. Pointing out her failings and sins enables us to hold her at arm’s length, thus carefully shielding ourselves from having our hearts broken by truly loving her.

2. Finding fault with the victim helps us maintain our illusions and wishful thinking that sexual trauma will never visit us or our loved ones. Sometimes people will even admit this is behind their “Monday morning quarterbacking” of someone else’s rape, when they announce almost triumphantly, “That’s why that would never happen to me or my daughter! We don’t dress immodestly / talk to strangers / threaten that easily / get intimidated by armed men / let anyone overpower us / have male friends / go on dates / trust any man besides our husbands / go anywhere alone / smile in public / laugh at a man’s jokes / sleep without a gun beside us / marry child molesters / have rapists as fathers / attend a church like that / know any pedophiles / allow women and girls to have jobs / etc.”

Even survivors can do this. I know this all too well because I did it to myself for years, until pain and desperation drove me into therapy. There, despite my best attempts to convince my therapist that I was an “accomplice in my own rape”, despite my pointing out every sinful act and every foolish thing I had done leading up to my rape and afterward, he steadfastly refused to buy into my self-blame. It seems that the only difference between the night of my rape and other nights in which I may have been equally — or far more — sinful and foolish is that, on that fateful night there were two rapists nearby with evil plans.

It was a struggle to accept my therapist’s “theory” because I preferred to think that a frumpy wardrobe, a bunch of legalistic rules, an untrusting attitude, and my martial arts skills and/or arsenal of weapons would guarantee my safety, now that I was no longer that “stupid” young, reckless, trusting, taken-for-a-sucker, woman who “put herself in that position”. Therefore, I tried to tell myself, it could never happen to me again. For years before entering therapy, I had so desperately needed to cling to my “never again” comfort that, when I read other women’s accounts of rape, I found myself accusing silently, “Obviously married a creep…what a fool, trusting her pastor like that…why didn’t she fight harder?…where was her cell phone?…she should have run away from home…only idiots go to frat parties…why did she rent that crummy apartment?…she should have gotten a different job…” My self-directed anger, and the shame I heaped on myself, spilled over onto how I viewed other survivors. Thankfully, I avoided them like the plague during this time, or who knows what harm my toxic attitude may have caused.

The problem is that any comfort built on lies only serves to perpetuates more lies, and cannot protect us. Whatever false sense of safety or control it gives us is a sham, a vapor. The truth is that no woman is so powerful that  — simply by her attire, behavior, and location — she can turn good, decent men into rapists. Nor is any woman so wise, so all-knowing, and so powerful that she can discern the hearts and motives of men, avoid all the bad guys, and fight off the ones she can’t avoid.

Even worse than offering false comfort, these lies harm survivors by interfering with their healing. Blame is toxic. So is shame. It holds us prisoner. It is so corrosive that it eats away at our very soul.

I know this all too well.

At the risk of oversimplifying a long, painful, arduous process, my healing journey can be summed up as the task of replacing lies with truth. As a Christian, I already knew of the gospel and had availed myself of its truth, but I discovered a greater depth of personal meaning, a wonderfully healing theological reality, in the Cross. To me, this is the most precious and significant part of any true gospel for victims: Jesus bore our shame. Whether the shame was put there by our own sin or slimed onto us by the sins of others against us, whether the shame was deservedly ours or not, whether we could sort out the difference or not, Jesus bore our shame on the Cross. He took it all away. It was no longer mine to carry. Wow. That is news so good, so marvelous, so life-transforming, that my puny words are woefully inadequate.

The gospel saved my life. Literally.

There were other healing truths as well: No rape victim ever “asked for it”, or it would have been consensual sex and not rape. No one deserves to be raped, no matter who claims otherwise. It wasn’t my fault. God despised what these men did to me even more than I did. He cared. He loved me — real love, not some fake “tough love” substitute. Christ didn’t just take my shame on Himself, but He carried my grief. He understood, truly understood, and He identified with my suffering. I could go on and on…truth after freeing truth.

It was not until I stopped believing the lies of blame and condemnation that I was able to embrace the truths that brought healing and freedom — and real comfort, rather than its deceptive and damaging counterfeit.

The director and the actress

As I posted before, I usually don’t write allegories. But then one came along and pretty much wrote itself. Every now and then, I’d re-read it, maybe tweaking a word or sentence here or there. I’d think, “I really should add a part where the actress talks with the director.” And that’s as far as it got until recently.

I hope it means something and is a blessing to someone else besides me.

Of course none of this will make any sense whatsoever unless you start reading here.

The director looked across the table at the actress and smiled. He had such high hopes for her — and for the actor, especially now that he’d begun to get through to him — and he was looking forward to finally being able to tell her of some of his plans.

She smiled back. It had been a year since the actor had begun to have his change in heart about her, but that didn’t really explain the dramatic growth she had gone through in that time.

“This has been my best year ever!” she enthused, as if reading the director’s mind. They began reminiscing together.

“What made the biggest difference for you?” he asked, fully knowing the answer, but never growing tired of hearing her tell of it. He loved how her eyes lit up, how excitement, joy, and wonder filled her voice.

“It was…well, everything you said to me that day that I came into your office, wanting to quit,” she began.

He would never forget that day. She was discouraged, frustrated, hurt, angry, at the end of herself. He had listened patiently as she poured out all her feelings, until she dissolved into desperate tears. “I can’t do this anymore,” she had finally managed to choke out. “I’m tired of failing. It’s hopeless. I’m hopeless. I can’t go on like this.”

He had found himself telling her the most hope-filled story that he knew. “Remember, I was friends with your parents, and I was there when you were born,” he said, “I got to hold you right away. I loved you then. I held you close and whispered a secret in your ear and someday, when the time is right, I’ll tell you what it is. On that day, I also told you what your real name is, the one you were meant to have from the beginning of time, the one you will not hear again until you are ready.”

When he had said this to her, she had wiped away her tears and looked at him as if he was crazy.

So he reminded her of their history together, the parts she could remember, and even some parts she had forgotten. He reminded her, over and over again, that he had always loved her as a father and a friend.

“Your problem,” he told her, “is that you don’t believe that. You don’t believe me. You’d rather listen to the actor, even though he will never love you the way I do and, all too often, he does not even speak for me. When will you realize that? When will you seek my approval more than his?”

Those final words had stung her. She had protested and argued, and then dissolved yet again in frustrated tears. Finally she had walked out.

“That was the turning point,” she said now. “Once I sat myself down and thought about everything you told me, all the things you reminded me — it all made me realize that you knew me longer and better than the actor did — and that you love me more than anyone else ever will. Plus…well, you’re the director, and he isn’t.” She flashed a relieved grin at that last sentence. “That’s why I came back.”

Now he looked at her more seriously. “So you finally believe that I love you and want what’s best for you, right?”

She nodded. “Of course! You’ve proven that time and time again but I was too blind to notice! You’ve always been there, my one constant, my most loyal friend. I’ve lost count of how many times you rescued me…how many second chances you gave me…how many times you let me start over…how many crises you helped me through. You’ve changed my life.” She paused for emphasis. “Now I think I really do believe that you love me as much as you say you do.”

“You trust me.” He said it as a statement of fact, calmly. She nodded again, but she looked slightly apprehensive, wondering if she was about to be tested.

“I have a new script,” he announced simply.

She looked excited. “Really? Tell me about it!”

“It’s the kind of complex, demanding role that you were born to play. It’s tailor-made for you, but it will also be extremely challenging. Extremely.”

“What about the actor? Is he in it?”

“Oh, you’ll still both be playing your same basic roles, except I’m developing your character much more fully than before, and expanding your part in the script a lot. Focus on your role and let me worry about the actor. The changes in the new script will require your utmost concentration, and you and I will have to work together more closely than ever before.”

“Great!” she said.

“One more thing…the new script also requires that you dance.”

“Dance? The actor hates dancing! He will never agree to it.”

“No, not that kind of dancing. You won’t need a partner for the dances I want you to perform.”

“But…but…” Tears filled her eyes and she bit her lip. “What about my leg? I can’t dance. You know that. I’ll stumble and…and…I’ll fall down. Besides, who wants to see a cripple like me try to dance?”

“I’ve choreographed the dances, and I’ve taken your leg into consideration. I will teach you myself. Trust me: you will dance more beautifully than you can possibly imagine, even if it feels awkward to you. Are you forgetting that I’m also a doctor — the very one who attended your birth and took care of you after your accident? The dances I’ve created for you are therapeutic and healing — they will strengthen and restore your leg. Eventually your limp will disappear.”

She looked incredulous. “Seriously? You mean that?”

“Of course.”

“I never dreamed I would ever dance…” she whispered in amazement, as if afraid to speak the words aloud.

“That’s not all,” the director said. “The script I’ve been writing — it’s based on the stories you used to write as a little girl, and the stories I used to tell you. It’s based on your fondest hopes and dreams, the ones you’ve long given up, even forgotten. I remember them all, every desire of your little girl heart and, in the script I always meant for you, they all come true. Well, except for some of the silly or dangerous ones.” He smiled. “But the good ones all come true.”

Her tears flowed freely. “But…why?”

“Because it’s the role you were meant to play all your life.” He paused to let the words sink in. “You just weren’t ready before now. I think that now, finally, you truly want those things again — all those long ago hopes and dreams — more than you want anything else.”

She sat there in stunned silence, trying to process it all. Finally she spoke, “So, despite everything, all my failings, all the ways I’ve messed up and disappointed you, I get to play my dream role? That doesn’t make sense.”

“Yes, it does,” he countered gently, “if you remember how much I love you.”

“But what about the actor? Does he get his dream role too?”

“Leave him to me. After all, I love him too, far more than you ever will. But your role — this new script — is far less about him than it is about you. Promise me one thing: always look in my eyes instead of his, and never forget that I am the director, not him. He’s just another actor, like you, and he has his own script.”

He paused and grew almost stern. “I have to caution you about something. You finally stopped believing his criticisms and stopped veering off the script in reaction to him — right about the time he was becoming less negative and critical. But now he could pose an even greater danger to you, if you become used to and dependent on his kindness and praise. You’ve longed for him to approve of your performance so much that I’m afraid his positive words might have more power over you than his negative ones did, and you might become willing to do almost anything for them to continue. You must never forget that he is not the director. My approval must matter far more than his. Look to me only.”

She nodded.

“Always, always act as if I’m your only audience.”

She nodded again, and he thought she had never looked more beautiful and more strong. He thought her face could have lit up the darkest room. “This is amazing…too good to be true…I must be the luckiest actress alive!” she burst out.

“I think it’s time.” he said abruptly, standing up.

“Time? Time for what?”

“This.” He beckoned her to stand and, leaning down towards her, spoke softly in her ear. “It’s time you finally heard what I whispered to you so long ago, on the day you were born. And, after you hear it, you won’t just dance. You’ll fly!”

“Fly?”

He didn’t answer, didn’t explain. Instead, he whispered a sentence, the secret he had told her the day she was born…words she hadn’t realized that she had longed to hear all her life, words that explained everything, words that set her free, words that frightened and exhilarated her, words that were both healing and challenging, soothing and provocative. It was as if she was hearing his voice, his real voice, for the very first time.

She gasped. Tears flowed. And she threw back her head and laughed. That’s how powerful his few, seemingly simple words were. What he spoke wasn’t just a statement — the truest words she had ever heard — but a glorious invitation.

He was calling her forth into her destiny.

“Yes,” she said. “Yes, yes, yes — ” the words tumbled out in enthusiastic agreement to the new script, to the director being her audience of one, to everything he wanted her to be, and to everything he would help her become.

In return, he held her closer, in a fatherly embrace…and spoke her name: her name he had whispered to her at birth, her real name, her beautiful, beautiful name that no one else but them had ever heard.

This time she shouted — shouted loud — with joy, throwing back her head as if she wanted the heavens above to hear her. She lifted her hands high in the air and shouted with triumphant eagerness, “YES!!”

And then she danced.